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Wide Sargasso Sea’s "Madwoman" in the Burning Attic: Postcolonial Subversion in Response to Jane Eyre
Examining the postcolonial retellings in Wide Sargasso Sea : Its connections to Jane Eyre and its intellectual linkages to feminist-postcolonial scholarship/thinking. With Wide Sargasso Sea (1966), Jean Rhys presents a postcolonial response to Charlotte Brontë’s critically acclaimed work, Jane Eyre (1847). This prequel decentralises Jane's narrative as an empowering female heroine and focuses instead on the woman who has been unjustly remembered (or perhaps forgotten) as ‘Ber
![[II] Postcolonial Retellings in Remembering Babylon: Seeing What is There & Beyond Foundational Myths](https://static.wixstatic.com/media/a22781_211db0eecbcb438b8caa250f02866738~mv2.png/v1/fill/w_442,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/a22781_211db0eecbcb438b8caa250f02866738~mv2.webp)
![[II] Postcolonial Retellings in Remembering Babylon: Seeing What is There & Beyond Foundational Myths](https://static.wixstatic.com/media/a22781_211db0eecbcb438b8caa250f02866738~mv2.png/v1/fill/w_292,h_165,fp_0.50_0.50,q_95,enc_avif,quality_auto/a22781_211db0eecbcb438b8caa250f02866738~mv2.webp)
[II] Postcolonial Retellings in Remembering Babylon: Seeing What is There & Beyond Foundational Myths
How are the foundational Australian myths and narratives of colonial violence challenged in David Malouf's novel?

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